When we transcend we are diving into a field of unbounded creativity. This is real creativity and when we experience that and grow in that, we can more easily find solutions to problems. We can get ideas for whatever it is we're working on. And we will get happier by transcending every day and we will find that we're happier doing almost anything. We'll get more energy to do our work.

Everybody's got creativity. Dive within to the ocean of infinite creativity.

My movies are film-paintings - moving portraits captured on celluloid. I'll layer that with sound to create a unique mood -- like if the Mona Lisa opened her mouth, and there would be a wind, and she'd turn back and smile. It would be strange and beautiful.

I learned that just beneath the surface there's another world, and still different worlds as you dig deeper. I knew it as a kid, but I couldn't find the proof. It was just a kind of feeling. There is goodness in blue skies and flowers, but another force - a wild pain and decay - also accompanies everything.

The feature film has changed a lot. Art houses are gone and people show a certain type of cinema in the big theaters now that, you know, it's not quite really good for me, and if I made a feature film, I was think I'd play in LA and New York for a week, and then go right to television.

I'm not a musician, but I play music. So it's a strange thing.

Music has fed me a lot of ideas... The film BLUE VELVET came out of Bobby Vinton's version of the song BLUE VELVET.