It is the objective of the protagonist that keeps us in our seats.

The conscious mind is going to suggest the obvious, the cliché, because these things have offered the security of having succeeded in the past.

The terror and beauty of the dream come from the connection of previously unrelated mundanities of life.

Welcome to Chicago. This town stinks like a whorehouse at low tide.

It's only words... unless they're true.

When we leave the play saying how spectacular the sets or costumes were, or how interesting the ideas, it means we had a bad time.

What I value most in my friends is loyalty.