I think the fact that they all served under her as a president is a strong pull. Here's a perfect example: George Stephanopoulos. He has a full on career in the media of his own, and yet on some days he's still George Stephanopoulos who worked for the Clintons. As much as he's done on his own, he's still in the Clinton orbit and it comes back up all the time.

I think that's part of being a comedy writer. You have to be confident. If you're sitting around worrying about, like, oh my God, what are people going to think, then you're not writing comedy. You have to write what makes you laugh, and then the world hopefully laughs as well.

That is what we have been feinting towards for a year of our lives: pretending like it was going to happen, acting like it was going to happen, and making you think it was going to happen. I like to work from the back forward.

One of the cool things, obviously there's 'Scandal,' 'House of Cards,' there was 'West Wing.' Other than that Jack Lemmon/James Garner movie about ex-presidents, no one's ever done anything in this area, whereas a lot of times, we do a story where someone goes, "Oh, yeah, they did someone sleeping with a Secret Service agent on 'House of Cards.'"

All of a sudden, making a Spanish-American War joke. I think you sort of had to go to probably to an American high school to have remembered that.

I love Veep so I felt like there was a lot I could bring to it.

There's a grand tradition of a lot of interesting stuff that happens to these post-presidents. Especially in this day and age where you leave office in your 50s and you can live another 40 years, easily. That's a lot of time.