I think that's part of being a comedy writer. You have to be confident. If you're sitting around worrying about, like, oh my God, what are people going to think, then you're not writing comedy. You have to write what makes you laugh, and then the world hopefully laughs as well.

One of the cool things, obviously there's 'Scandal,' 'House of Cards,' there was 'West Wing.' Other than that Jack Lemmon/James Garner movie about ex-presidents, no one's ever done anything in this area, whereas a lot of times, we do a story where someone goes, "Oh, yeah, they did someone sleeping with a Secret Service agent on 'House of Cards.'"

What I loved about it was language-wise it wasn't that finely-tuned-perfect-insult-for-the-perfect-situation that sometimes we try and do on Veep.

I do think that's one of the strengths of the show is every year there's sort of the giant rock gets thrown into the stream and Selina has to figure out how to get around the rock. It's in Veep's DNA, whether anyone realized it or not, to constantly be changing.

I think that's part of being a comedy writer. You have to be confident. If you're sitting around worrying about, like, oh my God, what are people going to think, then you're not writing comedy. You have to write what makes you laugh, and then the world hopefully laughs as well.

I think the fact that they all served under her as a president is a strong pull. Here's a perfect example: George Stephanopoulos. He has a full on career in the media of his own, and yet on some days he's still George Stephanopoulos who worked for the Clintons. As much as he's done on his own, he's still in the Clinton orbit and it comes back up all the time.

I'd like to give every member of our cast a best supporting comedy Emmy.