I think that's part of being a comedy writer. You have to be confident. If you're sitting around worrying about, like, oh my God, what are people going to think, then you're not writing comedy. You have to write what makes you laugh, and then the world hopefully laughs as well.

All of a sudden, making a Spanish-American War joke. I think you sort of had to go to probably to an American high school to have remembered that.

I think the fact that they all served under her as a president is a strong pull. Here's a perfect example: George Stephanopoulos. He has a full on career in the media of his own, and yet on some days he's still George Stephanopoulos who worked for the Clintons. As much as he's done on his own, he's still in the Clinton orbit and it comes back up all the time.

That is what we have been feinting towards for a year of our lives: pretending like it was going to happen, acting like it was going to happen, and making you think it was going to happen. I like to work from the back forward.

I think it's a fun thing, and perhaps maybe very so slightly as an American, it's a slightly different thing that they didn't do as much of when the show was 100 percent written by Brits just because I'm not sure they were quite as familiar with some of these little moments in our government system.

I think that's part of being a comedy writer. You have to be confident. If you're sitting around worrying about, like, oh my God, what are people going to think, then you're not writing comedy. You have to write what makes you laugh, and then the world hopefully laughs as well.

What I loved about it was language-wise it wasn't that finely-tuned-perfect-insult-for-the-perfect-situation that sometimes we try and do on Veep.