I think that's part of being a comedy writer. You have to be confident. If you're sitting around worrying about, like, oh my God, what are people going to think, then you're not writing comedy. You have to write what makes you laugh, and then the world hopefully laughs as well.

I do think that's one of the strengths of the show is every year there's sort of the giant rock gets thrown into the stream and Selina has to figure out how to get around the rock. It's in Veep's DNA, whether anyone realized it or not, to constantly be changing.

I enjoy biographies and whatnot. I'm also a fan of presidential libraries. I've visited quite a few of them, especially the more modern ones.

There's a grand tradition of a lot of interesting stuff that happens to these post-presidents. Especially in this day and age where you leave office in your 50s and you can live another 40 years, easily. That's a lot of time.

That is what we have been feinting towards for a year of our lives: pretending like it was going to happen, acting like it was going to happen, and making you think it was going to happen. I like to work from the back forward.

I'd like to give every member of our cast a best supporting comedy Emmy.

All of a sudden, making a Spanish-American War joke. I think you sort of had to go to probably to an American high school to have remembered that.