I just love real characters; they're not pretentious, and every emotion is on the surface, they're regular working people. Their likes, their dislikes, their loves, their hates, their passions; they're all right there on the surface.

The whole trick is to make it feel like you're spying on real people's lives as they get through the day. When I'm writing, I have to trick myself as a writer. If I consciously say, 'I'm writing,' I feel all this pressure and somehow it doesn't feel as real as when it doesn't seem to count as much.

I feel profoundly blessed. I feel it's a great privilege to make any motion picture.

Gay marriage is a complete red herring to distract everyone from the economy and the war and health care and education.

I think what makes compelling fiction or cinema is when you're basically taking the most intense moments of experience and you're creating a song or a narrative out of it.

The romance is essential. I love the love. I don't love just people struggling. I love what people are struggling for. That moves me. I love watching people be loving, and I find it enchanting, magical and transporting. It's one of the reasons that I go to the movies, and that's why I like putting it in movies.

Every day, when my feet hit the ground, I have a story that I'm telling myself that I choose to make a positive story. I know people who don't do that, and there's a heavy energy around them. So I guess there's that kind of hustling.