There's a nimble quality to the way a television actor can work. When that muscle gets strong it's a very valuable thing.

In what I do for a living, trust and confidence are key. Inevitably, you can't make brave choices and do your best work, if you don't have those, because it's such a subjective art form, and you don't have eyes on yourself.

We can't afford to deny our past in a bid to be empowered. But what we can do is contextualize the past.

I know I had my equivalents in Adrian Lester and Lenny James when I was at drama school. I remember David Harewood doing 'Othello' at the National, and Adrian Lester having done Cheek by Jowl's famous 'As You Like It and Company' at the Donmar. Not necessarily performances I saw, but just the fact they happened was massively encouraging.

You can’t have people curating culture in this way when we need to see things in order to reform from them.

I'm one of those actors who says, "Point me toward the work that matters to me and I don't care where you're putting it. Television show. Movie. Projected on the back of someone's garage." If that's where the work is that's exciting to me and moving, I want to be there.

Dr. Martin Luther King was never a man to say 'I've got this' as the leader of the movement. He wasn't always sure that his decisions were correct, because he knew every decision he made was putting lives at risk, including his and his family's lives.