Whether we like to admit it or not, as artists, we do project our own worldview on to what we do.

I think that having a black president in America has been a seismic shift, in terms of what has been going on racially in America. I think that America is now engaging with how we have come to this point.

I think that having a black president in this country has been a seismic shift, in terms of what has been going on racially in America. I think that America is now engaging with how we have come to this point.

When you reflect upon the significance of Dr. King to this nation, it's criminal that he hasn't had a feature film that was centered around him until now. That, in and of itself, was emotional. But when you're doing scenes on the Edmund Pettus Bridge, with people still living in Selma and now in their 60s and 70s who had actually marched, who were there that original Bloody Sunday, that's humbling... that's deeply moving. You're no longer acting at that stage, you're just reacting, because it takes the filmmaking process to another dimension.

I truly believe slavery is why, as a by-product, we still have a disproportionate amount of black men incarcerated in the USA. It is an extension of that legacy, and that's not going to start to diminish until black people have a new sense of themselves that isn't tied to slavery and feeling inferior. I think the church can be instrumental in that, in terms of repentance, reconciliation and just being more embracing of each other - not just on Sunday, but in life generally.

I never, ever do a film and just kind of move on. I think of them as children of mine, and you don't give birth to a baby and just leave it on someone else's doorstep. You see it all the way through college.

I feel television is in a fantastically rich vein of what it's presenting both by opportunity to actors and to audiences.