I have a bee in my bonnet as to how few black historical figures one sees on film; incredible stories, stories from which we are living the legacy and which just don't get made.

Whether we like to admit it or not, as artists, we do project our own worldview on to what we do.

I turned down a lot of easier opportunities in order to go for the things that I really and ultimately wanted to do. And what's really nice is that it's starting to work. I've been an actor for coming up on 14 years now and the level of activity that's taking place now is a culmination of a slow cooker approach to as opposed to a microwave.

People have compact to go beyond our own culture and upbringing to a degree that I think we don't acknowledge enough really.

Sunday at 11 o'clock is the most segregated hour in America. You have black churches; you have white churches; you have Hispanic churches. It's not really reflective of the world we live in, by and large, in America.

I know for a fact the reason I'm an actor is because one, two, maybe three people when I was younger saw something that I did, in youth theater or some small play somewhere, and said, "You're good."

I basically enjoy doing films that are about something, that have complex roles that I can sink my teeth into. Basically, I gravitate to things that scare me. They might be things that I don't think I know how to play. I like trying to find within me where this character may exist. Whether is it is a fictional character or not I am not motivated by that. It is more about how challenging it is. It is just so happens that the more high profile things I have done have been historical characters.