I don't think that we can figure out what is going on in conscious colour perception just by phenomenological introspection. We need to know about brain mechanisms as well. We need to figure out what information is present in the mechanisms that constitute conscious colour perception.

I rather incline towards 'conceptualism', in line with my view of colour perception - I don't think that we can represent objects and properties for which we have no concepts, not even in perceptual experience. In this sense I differ from those who defend 'non-conceptual content' like Michael Tye and Chris Peacocke.

A certain kind of methodologically-minded philosopher of science is quick to read off metaphysical conclusions from features of scientific practice. Chemists don't derive their laws from fundamental physics, so reductive physicalism must be false. Biologists refer to natural numbers in some of their explanations, so numbers must exist. I think that this kind of thing makes for bad philosophy.

This doesn't show that there is anything wrong with our theoretical understanding, any more than the intuition that the Earth is at rest shows that there must be something theoretically wrong with Copernicanism, or the intuition that time is moving shows that there is something theoretically wrong with the block universe 'B series' view of change.

The use of neuroscientific data to help resolve phenomenological questions is proving a common theme in much contemporary thinking about the mind. How rich are the contents of visual perception? Does vision only tell us about shapes and colours, or does it also represent higher categories like lemon or umbrella?

I think that there are non-physical laws all right: genuine (if not strict) laws written in the language of biology, economics, and so on. But I don't regard that as a contentious issue. Even reductionists about chemistry will think that there are special chemical laws whose formulation makes essential use of chemical terminology.

Natural selection has ensured that each species achieves the requisite effect somehow, but it doesn't care, so to speak, how the trick is done.