To me, if you're lucky enough to make stuff that people will pay money for, do a good job. Really do a good job. Especially if you're talking about real stuff, like terror atrocities and human rights abuses and pencil-sharpening techniques.

I was just worried that someone was gonna think that I had been commissioned by Jamba Juice to make cartoons about Jamba Juice. And the big thing for me was - if I'm not getting paid to sell out, I don't want people to think that I'm selling out.

I got to draw shapes. I really like to draw funky, geometric shapes. And I got to use just different fonts and make a joke of how feminine it was, but it didn't even have people in it. To me, it was so exciting and interesting to do that for a while.

I don't like when performers rag on their ex-girlfriend or ex-boyfriend in absentia. If they're not there, it just feels rude... I'm never going to say anything personal about myself on stage. That's my new goal.

I don't think I would've ever dared dreaming of becoming a professional cartoonist. I wouldn't set myself up for that disappointment.

Talking about my personal life onstage, I've realized I'm not one of those comics who can do that. I can allude to it but I don't want to be a confessional performer.

It would be amazing to tell my grandchildren, like, 'Yeah, I was paid to sharpen 1,000 pencils.'