There were successful ways of expressing the attitude and less successful ways. I think that spirit is very much alive today actually. That's what a certain generation of curators is alert to or on the look out for: an attitude. And it is a brilliant and moving spectacle when it happens. That suspension of disbelief is something that we all respond to. But it's hard to capture the butterfly without tearing the wings off of it.
David SalleI feel like all the American artists are aesthetically not very interesting and mired in a complaining relationship to its own culture, whereas the Italian work, from a different era, is so comfortable with its relationship to nature and to culture.
David SalleI'm always very grateful for stories about the great coffeehouse wits in Vienna at the turn of the last century. People would wait for a chance to stand near the table where the great wits were trading witticisms as a spectator sport because it was that good. They were that on fire and there was no product. They didn't write anything down. It was just the pleasure of engagement with the moment. I think that's my kind of ideal of how I live.
David SalleI feel that the only thing that really matters in art and life is to go against the tidal wave of literalism and literal-mindedness-to insist on and live the life of the imagination.
David SalleI think people have to be given - or take - the permission to say that something is nothing. Just because it's in a museum doesn't mean it's anything.
David SalleI think a good painting or a good work of art does many things it wants, I mean, maybe 15 or 20 or 100. One of the things a painting does is to make the room look better. It improves the wall that it's on. Which is much harder than it looks. And that's a good thing. And if one engages with a painting on that level, that's fine, that's great. After some time, familiarity, the other things that a painting does, the other layers, they just start to make themselves felt.
David Salle