When you see Liana [Liberato], who at the time was 14, there is an inexperience and innocence that you can't act and you can't fake.

You're only as good as the sum of your parts, and one person can't be a team.

I'm very goal oriented.

It was really interesting to be editing the film [Trust] in New York and directing the play in Chicago, and one definitely informed the other. The play probably benefitted more because I realized what scenes could be cut, and I cut those scenes from the play.

With the success of the last three or so years, when a lot of people start treating you differently, there's a danger that you may start to think of yourself differently. You rely on your friends to say, 'Hey, wake up!

At this age - I'm 44 - I think life's too short. I want it to mean something to me, if I'm going to spend that much time doing it.

And, again, I'm the first one to say that I'm not going be successful at everything.