Performance is really an important part of how I edit. I sometimes take something out because I realize I put in a joke just to be funny and the audience laughed, but I should be ashamed of myself. I sometimes take out sentences, which are perfectly fine on paper, just because they don't flow when I say them out loud. I always read my work out loud now.

I've never written about sex in my diary. Like if you read my diary, you wouldn't think I'm a virgin, but you would have no idea what it is that I've actually ever done.

I've maintained old friendships, like with people I knew in the nineteen-seventies, but have lost the knack for meeting new people. This has a lot to do with my writing schedule. I don't want to be disturbed, and the willingness to be disturbed is, I think, part of being a good friend.

Thank god I'm in England, because if I lived in any other country, it'd probably be the Philippines. Because with Rodrigo Duterte as the leader they couldn't really give me attitude on Donald Trump.

There is a reason there is no such thing as a folk writer. But to be a writer you have learn what it takes to captivate a reader in order to make them turn the page. And in order to learn that, you have to read.

I rejected the word humorist for a long time because I thought that it meant you had, like, a cardigan sweater with patches on the elbows, but now I'm old and I do. I grew into that word. I think at heart, all this time, I've been a diarist. I'm not ashamed of it.

We were not a hugging people. In terms of emotional comfort it was our belief that no amount of physical contact could match the healing powers of a well made cocktail.