I've been keeping a diary for thirty-three years and write in it every morning. Most of it's just whining, but every so often there'll be something I can use later: a joke, a description, a quote. It's an invaluable aid when it comes to winning arguments. 'That's not what you said on February 3, 1996,' I'll say to someone.

It is never appropriate to comment on a woman's breasts. I would never do it on the street or at a supermarket, but when I'm sitting a table signing books, sometimes I notice that a woman will have remarkable breasts. And I will maybe quietly say something about it. It's not in a sexual way, because I'm a gay man - I would never say to a man "great ass" because that would be sort of creepy.. I hope it's not creepy to quietly tell a woman she has nice breasts.

I was first published in the newspaper put out by School of The Art Institute of Chicago, where I was a student. I wince to read that story nowadays, but I published it with an odd photo I'd found in a junk shop, and at least I still like the picture. I had a few things in the school paper, and then I got published in a small literary magazine. I hoped I would one day get published in The New Yorker, but I never allowed myself to actually believe it. Getting published is one of those things that feels just as good as you'd hoped it would.

There is still the outside world to contend with. A world of backfiring cars, and their human equivalents.

No one writes dialect better than Flannery O'Connor. No one should even try.

I like to reserve the right to write about whatever I like.

The good thing about being gay, though, I always believed, is that you didn't make anyone go to a wedding. Nobody wants to go to a wedding. Nobody. It kind of bothers me now that you have to go to gay weddings, too. I don't care. It's still a wedding. And I would give anybody double gifts if they would elope.