My feet are completely flat, but for most of my life they were still shaped like feet. Now, thanks to bunions, they're shaped more like states, wide boring ones that nobody wants to drive through.

What other people call dark and despairing, I call funny.

Sometimes with 'The New Yorker,' they have grammar rules that just don't feel right in my mouth.

We're not unique in our family. We're more ambitious but we're not special. I'm not funnier than anyone else in my family; it's just that we wanted more than Raleigh, North Carolina, had to offer. If my brother wanted more than Raleigh had to offer, you would know his name. My sister Lisa has a really unique and different voice, but she doesn't want that. She's a fine writer, but never said, "I want a book. I want that kind of attention."

It is never appropriate to comment on a woman's breasts. I would never do it on the street or at a supermarket, but when I'm sitting a table signing books, sometimes I notice that a woman will have remarkable breasts. And I will maybe quietly say something about it. It's not in a sexual way, because I'm a gay man - I would never say to a man "great ass" because that would be sort of creepy.. I hope it's not creepy to quietly tell a woman she has nice breasts.

The difference between writing where you know where to draw the line and writing where you're being way too mean is whether you can tell that the writer is not talking to family or friends anymore. Generally, if you say something bad about somebody on stage, you need to say two bad things about yourself. A lot of times, I think I'm the worst person in the room.

Sometimes you read something and it's just -- it doesn't invite a reader....Sometimes you read something and it's not saying, 'oh come in, come in have a seat. I'm going to tell you what happened.' Perhaps my writing comes off as conversational...and that takes effort.