I don't really want to tell jokes about trivia; I'd kind of rather tell jokes about things like life and death.

The work, I suppose, is made in the editing, whereby I make literally hundreds of drawings, and then a much smaller percentage of those become the finished work.

I like comedy but I guess I don't think [my art] is that funny, either. It's too dark and a bit weird in places to be genuinely, uniformly hilarious and function as comedy.

If the work jells a little bit in terms of being placed in the oeuvre, I don't care - as long as it works.

I don't really want to tell jokes about trivia; I'd kind of rather tell jokes about things like life and death.

I feel quite comfortable and happy with making a work that looks like it could have been made by somebody else.

I think the thing is there's a work for every space, you always have to respond to a context, whether it be a physical context, or a political one, or a cultural one, whatever.