I think people are quite surprised that the handwriting I use in my drawings and paintings is my own handwriting. They're slightly shocked when I write them a letter.

I think the thing is there's a work for every space, you always have to respond to a context, whether it be a physical context, or a political one, or a cultural one, whatever.

I don't want to just spend my life ridiculing something that I find ridiculous, although there is an element of satire in my work.

If the work jells a little bit in terms of being placed in the oeuvre, I don't care - as long as it works.

The camera is an eye that sees and records the lives of filthy people. Its pictures are hung in museums and published in thick books that future generations can see how horrible life was.

I feel quite comfortable and happy with making a work that looks like it could have been made by somebody else.

I'm never really that worried about doing something a little different, 'cause it always just seems to fit into what I want to do.