We're now seeing levels of inequality raise their heads that we haven't seen since the age of the robber barons. If somebody watched The Deuce, and understood the allegory about capital and labor, and understands what happens when one side is vulnerable to the other, that would be swell.

I had a great editor, Rebecca Corbett, from the time I was a city reporter right through to the years I worked on the 'Sun's' enterprise reporting team.

Health is a return to our memory of wholeness.

I've never met anyone with a perfect upbringing. It seems to me that life on planet Earth just doesn't work that way. The basic challenges of getting our needs met and managing boundaries are inherent in growing up human.

Acceptance means focusing on the present while assessing the choices available to you in this moment. If there are many possibilities, make the choice that is likely to bring the most evolutionary results. If there is only one choice, take it. If there are no obvious choices, relax and accept the fact that for now, you cannot do anything.

What appeals to me in The Deuce is some of the same things that made me interested in The Wire, which is there seems to be a theme here around markets and capitalism and labour. This is a moment, 1971, of something that was under the counter: then brown paper bags suddenly became legal, pornography. And it was really the birth of an industry which is now a multi-billion dollar American standard. And these people were the pioneers at a moment where there really were no rules, then suddenly there was a legal industry that was allowed to exist.

Baltimore's often called the most northern Southern town. It has a distinct essence. It's definitely post-industrial, definitely Rust Belt, very working-class. I grew up outside of Washington, and I felt I was moving to a completely different place when I moved 30 miles north out of college.