You can't make a good show based on pure verisimilitude, pure anti-drama. But you have to acknowledge a lot of ordinary life. Most TV doesn't do that.

When we spend time in silence, we can hear the voice of our soul whispering its sacred message and encouraging us to make choices that bring us more happiness, health, love, meaning, and peace.

I've never met anyone with a perfect upbringing. It seems to me that life on planet Earth just doesn't work that way. The basic challenges of getting our needs met and managing boundaries are inherent in growing up human.

Baltimore's often called the most northern Southern town. It has a distinct essence. It's definitely post-industrial, definitely Rust Belt, very working-class. I grew up outside of Washington, and I felt I was moving to a completely different place when I moved 30 miles north out of college.

The mismanagement of American newspapering is quite remarkable. But all of the fellows responsible are now on a golf course in Hilton Head or some such (place), having secured their bonuses and golden-parachute buyouts.

How that happened - how the money and the power arrayed itself and who got the share in that, who got cut out, who was exploited and who did the exploiting - that to me is a story of The Deuce that's more about almost the America that we inhabit today, more than just merely about pornography or prostitution.

In Baltimore they can't do police work to save their lives. Now because of Freddie Gray they're not even getting out of the car and policing corners - they're on a job slowdown, basically. Right now if the police stopped being brutal, if we got police shooting under control, and the use of excessive force, if we have a meaningful societal response to all that stuff, and the racism that underlies it, the question still remains: what are they policing, and why?