You can't make a good show based on pure verisimilitude, pure anti-drama. But you have to acknowledge a lot of ordinary life. Most TV doesn't do that.

We're now seeing levels of inequality raise their heads that we haven't seen since the age of the robber barons. If somebody watched The Deuce, and understood the allegory about capital and labor, and understands what happens when one side is vulnerable to the other, that would be swell.

When we spend time in silence, we can hear the voice of our soul whispering its sacred message and encouraging us to make choices that bring us more happiness, health, love, meaning, and peace.

The greatest contribution we can make to the wellbeing of those in our lives is to have peace in our own hearts. When our hearts are filled with gratitude and our minds are brimming with enthusiasm, everyone we encounter leaves our space feeling a little bit lighter than when they entered it.

People from here will often say, "I'm not from the United States, I'm from New Orleans."

That's what we were interested in: how power and money ran itself, much more so than 'drugs are bad, drugs are good.' That seems to me a simple moral equation and one you don't have to spend 60 hours of television examining. And I think the same thing is true with how we approached pornography or prostitution. Prostitution's been around since the Bible, and pornography's been around since about 15 minutes after the French guy invented the first camera.

I always tell Lawrence Gilliard Jr. he never got a decent bite of the apple, so I was happy we had a role that seemed perfect for him. I like the idea of him as one of the few moral centres of the Wire show.