I do keep up at night. I try not to let my mind go to extremes in the middle of the night because it would be better to turn all that stuff into dreams; it would be better if I was sleeping, because dreams become good metaphors for what's really going on inside of you.

Humanization and coming to understand somebody as a human being is about as good a kind of forgiveness as you can get, I think.

I feel sorry for kids nowadays, because in the majority of schools across the country, the arts have been eliminated from the curriculum. There's no art; there's no music. In some cases they've taken away the libraries. They don't do theater. And these are the things that speak to the human soul.

I began drawing probably when I was - around the same time everybody else puts a mark on a piece of paper with a crayon - when I was two, probably. The difference between me and everybody else is, I kept doing it for the rest of my life; there was something very satisfying about that.

The odd thing about recurring dreams is that, no matter how many times you dream the same thing, it always takes you by surprise.

My interest really is psychology, what's going on in people's minds as revealed on their faces and in their posture. That is my strength. And it's something that came from probably being a silent observer for most of my life and having to read what was going on in people's minds from only their postures or from their expressions.

Teenagers are always sneaking around in drawers where they shouldn't go and reading things they shouldn't be reading. And that's an attempt to try, I think, to penetrate, that's how I found out as a teenager what was going on, was by sneaking into drawers and reading letters that I had no business reading.