If you really want people to pay attention to how you feel, you need to express your feelings in language that's worth reading.

Embrace the melancholic voice completely in the drafting stages, to explore it for all it's worth. Then, in revision, privilege craft over pure feeling. Write the work that someone besides you will want to read.

If you really want people to pay attention to how you feel, you need to express your feelings in language that's worth reading.

Out of the chaos of post-Roman Dark Age Britain, the English had created the world's first nation-state: One king, one country, one church, one currency, one language and a single unified representative national administration. Never again in England would sovereignty descend to the merely regional level. Never again would the idea of England and the unity of England ever be challenged.

Once a piece of writing gets to a moment where it's not going to get much better than it already is, marinate it. If you still like the piece, send it out and see what others think. If not, it's time to put it away and forget about it for a while.

I think I give far more space and play to avant-garde writing than any other contemporary textbook author. I want students to be able to decide for themselves which aesthetics are closest to their own. Still, while I try not to be a nostalgist myself, I suppose I am drawn to those poignant moments in our lives, rendered clearly and artfully.

I think it's probably true that creative people are touched by melancholy more than the average person, and to the extent that delving into that shadow world produces good work, I'm all for it. But I think you have to be able to step back from the work, and say, "Look how miserable I felt. Look how beautifully I wrote about it. Now I'm going to get an iced coffee and chat with a friend." Writing should be a way out of despair.