I think I give far more space and play to avant-garde writing than any other contemporary textbook author. I want students to be able to decide for themselves which aesthetics are closest to their own. Still, while I try not to be a nostalgist myself, I suppose I am drawn to those poignant moments in our lives, rendered clearly and artfully.

Once a piece of writing gets to a moment where it's not going to get much better than it already is, marinate it. If you still like the piece, send it out and see what others think. If not, it's time to put it away and forget about it for a while.

Embrace the melancholic voice completely in the drafting stages, to explore it for all it's worth. Then, in revision, privilege craft over pure feeling. Write the work that someone besides you will want to read.

I would put forward a modest proposition that we were very much better governed by Henry VIII than we are by King Gordon.

Out of the chaos of post-Roman Dark Age Britain, the English had created the world's first nation-state: One king, one country, one church, one currency, one language and a single unified representative national administration. Never again in England would sovereignty descend to the merely regional level. Never again would the idea of England and the unity of England ever be challenged.

I do think poetry needs to invite the reader, especially when there are so many other distractions while reading.

I think my cheerfulness keeps my writing from sinking into the depths of melancholy, while the darker side keeps in check any literary silliness I might be inclined toward.