I think my cheerfulness keeps my writing from sinking into the depths of melancholy, while the darker side keeps in check any literary silliness I might be inclined toward.

Compare the scale and magnifcence of Versailles with St James's - the brick-built hovel in which the 18th-century kings of England lived. What was then the most powerful monarchy in the world housed its sovereigns in a converted leper hospital, yet, at the same time, parliament provided the magnificent palaces of Chelsea and Greenwich as hospitals for retired soldiers and sailors.

My biggest poetic influences are probably 20th-century British and Irish poets. So I suppose I'm always listening for the music I associate with that poetry, the telling images, the brevity. I want to hear it in my own work as well as in the poetry I read. However, I think I'm generally more forgiving of other poets than myself.

I think my cheerfulness keeps my writing from sinking into the depths of melancholy, while the darker side keeps in check any literary silliness I might be inclined toward.

I admire writers who have the tenacity to write a blog, and I'm told by everyone that it's an important element in remaining visible in the online world. That said, I'm personally turned off by writers' blogs that do nothing but sing their own accomplishments.

I think I give far more space and play to avant-garde writing than any other contemporary textbook author. I want students to be able to decide for themselves which aesthetics are closest to their own. Still, while I try not to be a nostalgist myself, I suppose I am drawn to those poignant moments in our lives, rendered clearly and artfully.

If you really want people to pay attention to how you feel, you need to express your feelings in language that's worth reading.