Eventually we realize that not knowing what to do is just as real and just as useful as knowing what to do. Not knowing stops us from taking false directions. Not knowing what to do, we start to pay real attention. Just as people lost in the wilderness, on a cliff face or in a blizzard pay attention with a kind of acuity that they would not have if they thought they knew where they were. Why? Because for those who are really lost, their life depends on paying real attention. If you think you know where you are, you stop looking.

A good poem has its own life. It's like bringing a child into the world. You, the poet, birthed the child, but the child will surprise you continually. I think a work of art has its own aliveness, its own future.

All of our great traditions, religious, contemplative and artistic, say that you must a learn how to be alone - and have a relationship with silence. It is difficult, but it can start with just the tiniest quiet moment.

The price of our vitality is the sum of all our fears

The workplace needs the poet's gift. But the poet also needs to be educated about the workplace. You're not just coming in to do your art, you're actually making yourself vulnerable. You yourself are not God's gift to truth. You have to hazard yourself in their world, especially because you're inviting people to do the same. It's all about become visible, becoming incarnate, becoming here and now and yet with our eyes on a future horizon; holding the conversation you were meant to hold.

To have a firm persuasion in our work - to feel that what we do is right for ourselves and good for the world at exactly the same time - is one of the great triumphs of human existence.

Poetry is the art of overhearing ourselves say things from which it is impossible to retreat.