I argue for a relational conception of the person as a basis for an environmental ethic that can encourage us to preserve the environment not solely on the basis of satisfying human interests and not solely because we might attribute intrinsic value to the environment, but because the environment is something with which we can potentially enter into constructive relationship, as part of what makes us who we are or transform who we are and open us up to new interests.
David WongThe English language needs a word for that feeling you get when you badly need help, but there is no one you can call because you're not popular enough to have friends, not rich enough to have employees, and not powerful enough to have lackeys. It is a very distinct cocktail of impotence, loneliness and a sudden stark assessment of your non-worth to society? Enturdment?
David WongThat ability to see the right choice, but not until several hours have passed since making the wrong one? That's what makes a person a dumbass, folks.
David WongAccommodation is a willingness to maintain constructive relationship with others with whom one is in serious and even intractable disagreement. Social cooperation would come under impossible pressure if it always depended on strict agreement.
David WongWar is about remaking the world to suit the whims of some powerful group over the whims of some other powerful group. The dead are just the sparks that fly from the metal as they grind it down.
David WongZhuangzi is especially insightful about the human pretension to know. The Zhuangzi tells a story about a frog who lives in caved-in well. Because he is the lord of this little world of his, king of the pollywogs, he is very proud of himself. But he doesn't know how small his world is until a turtle comes and tells him about the vastness of the sea. We human beings are like the frog, not realizing how little our worlds are.
David WongI do fear that global capitalism is making us more like each other in regrettable ways, e.g., more people are increasingly captivated by spectacles of violence and aggression or of conspicuous consumption that are the subjects of the most commercially viable films across countries precisely because they don't depend for their appeal on cultural fine points; and more people are prone to deal with others on a purely instrumental and impersonal basis.
David Wong