When I first got to the majors in 2004, female fans held up signs asking me to marry them. Those girls today were what, 13, 14? I'm 23, but that's a little young even for me.

There's a lot more to playing in the big leagues in New York than just the baseball part.

I’m always looking to improve. And every year I want to do better than the year before.

I take positives out of negatives all the time.

I take great pride in going out there and playing through pain.

An excess of development can undermine the most ephemeral but distinctive tool a writer possesses: authorial voice. A writer's voice is as individual and marked as a thumbprint, and is a playwright's truest imprimatur. It is as innate as breathing, and can be as unique as any genetic code. By its very singular nature, it is seldom born in the act of collaboration. True authorial voice always pre-dates the first rehearsal of a text. And it is - and will always be - an author's most distinguishing and valuable feature.

When it’s all said and done, I want to be able to say I got the most out of my potential. I don’t want to look back, however many years from now, and say, ‘I wonder if I would have worked a little harder. I wonder if I would have done this or done that, how things would have turned out.’ I want to, when it’s all said and done, be able to put my head on my pillow and say, ‘I did everything I could do — good or bad.’