I am twenty years old. To a world-wise adult, I am little more than a child. To any child, however, I am old enough to be distrusted, to be excluded forever from the magical community of the short and beardless.

In this uncertain space between birth and death, especially here at the end of the world in Moonlight Bay, we need hope as surely as we need food and water, love and friendship.

Six billion of us walking the planet, six billion smaller worlds on the bigger one. Shoe salesmen and short-order cooks who look boring from the outside - some have weirder lives than you. Six billion stories, every one an epic, full of tragedy and triumph, good and evil, despair and hope. You and me - we aren't so special, bro.

I love my editor, but that would be the definition of hell to me to live with someone and have them go page by page through my manuscript. That I want to avoid at all costs.

The answer to the mystery of existence is the love you shared sometimes so imperfectly, and when the loss wakes you to the deeper beauty of it, to the sanctity of it, you can't get off your knees for a long time, you're driven to your knees not by the weight of the loss but by gratitude for what preceded the loss.

It may sound strange, but when you're a kid and you're in that environment, for some reason for a long time you think, when the doors are closed in other houses, this is what it's like everywhere. And then at some point you begin to realize that isn't true, and books were really the educational system that showed me that there were many better and different ways to live a life.

All but universally, human architecture values front elevations over back entrances, public spaces over private. Danny Jessup says that this aspect of architecture is also a reflection of human nature, that most people care more about their appearance than they do about their souls.