I have a strong feeling for it, and I think us as humans perceive all of that - the pressure change and the moon and the wind and whether a storm is moving in on us - if we just are close enough to nature.

For some reason, BASE jumping is misunderstood and our government forbids it and makes it illegal in most every place in the country. So I'm kind of a criminal here in the United States for pursuing the dream of flight, but everywhere else I go, every other country, I'm kind of looked up to, or fascinated with for the flying that I do.

The moment before I jump is filled with anxiety and what-ifs. But then as soon as I enter the air, I'm filled with this calmness and that's the main attraction to it. That's why I do these death-consequence pursuits or arts.

It's kind of strange to be a free soloist when you know so much about flying, because I'm playing two opposite games, or practicing two polar opposite arts. One is the art of not falling. The other one is flying. With both those things spinning in my mind, there's a lot to process and it's pretty mind-boggling.

I was taking my advance freefall course, doing my level 1 jump. My heart was racing. Like I said, I have a lot of fear with falling, so I panicked. Then I let go of the door of the airplane and kind of panicked the entire way. But after a few jumps I grew more calm, realized what was going on, and I think that was the key. The more calm I got, the more relaxed I was.

I think everybody has a dream of flying at least once in their life. For me, it's been over and over a recurring dream. It's mostly that. That desire to be as free as the birds, to be unhindered. I started off as - and am still - a free solo climber. So being in the air is a huge fear of mine. So there's a combination of going toward my fear as well as being fascinated with the air.

I don't have a lot of pressure on myself to be successful. I'm more of an artist. I just try to make myself more a part of the most beautiful painting as possible. And enjoy it.