It's shocking the things we call love.

We hurt each other, is the point. Hurt, annoy, embarrass, but move on. People, it just doesn't work that way. Your own feelings get so complicated that you forget the ways another human being can be vulnerable. You spend a lot of energy protecting yourself. All those layers and motivations and feelings. You get hurt, you stay hurt sometimes. The hurt affects your ability to go forward. And words. All the words between us. Words can be permanent. Certain ones are impossible to forgive.

Another person is, at the heart of it, unknowable. And if you cannot know a person enough to always guess what they’re capable of, you certainly cannot know them enough to hold them in your hands, to control their behavior, to fight, manipulate, cajole or nurse or soothe them into doing what they should or shouldn’t. People will do what they will do. The trick is admitting your own helplessness about that little fact.

Maybe love, too, is beautiful because it has a wildness that cannot be tamed. I don't know. All I know is that passion can take you up like a house of cards in a tornado, leaving destruction in its wake. Or it can let you alone because you've built a stone wall against it, set out the armed guards to keep it from touching you. The real trick is not to let it in, but to hold on. To understand that the heart is as wide and vast as the universe, but that we come to know it best from here, this place is gravity and stability, where out feet can still touch ground.

There are so many different fifteens. And eighteens. And forty-twos, for that matter. Mature fifteens and young fifteens and wise fifteens and lost fifteens. And angry fifteens.

When you're not sure whether you're in love with someone or not, the answer is not.

I grow green beans in my garden. The one thing I know about harvesting them is that you need to train your eyes to see the beans. At first it all looks like leaves, until you see one bean and then another and another. If you want clarity, too, you have to look hard. You have to look under things and look from different angles. You'll see what you need to when you do that. A hundred beans, suddenly.