I'm a little commitment phobic, in that I've always been someone who likes to take things one year at a time because as we all know, a year can change everything in your life.

It [going from mini-series to series] was never even discussed because it [The Starter Wife] was, you know, an adaptation of a novel. And we - the mini-series encompassed the whole novel. And so it was always going to be a finite sort of event. And then I imagine when people started to really respond to the show and then we got ten Emmy nominations, USA sort of said, "Oh, I think maybe we have something here."

There's always - somehow a red carpet everywhere. And I think that, you know, it's a fantasyland out here, you know. It's beautiful. It's sunny all the time. You know, there are beautiful people everywhere because you're not allowed to cross the Los Angeles city lines unless you're beautiful or skinny - joking kind of.

I'm a mom, and I'm always looking for ways to encourage, support, and embolden my son to help make him believe in himself.

And often when things turn to TV series there are so many different people with different agendas that things can morph. And so, you know, that was why having the executive producer title was important to me because even if I was the star and I had a concern, you know, that concern would only go so far. But having the title of executive producer actually makes them have to actually listen to me complain.

Whatever consequences come as a result, in terms of work, I'm fully prepared to embrace because it's a priority to me to be a mother.

You can't control chemistry. You can't control, you know, just similar aesthetics creatively. And, you know, David and I didn't know each other prior to this. And we get along famously. So it's - I feel very lucky.