A lot of people love Tarantino’s films because they’re spectacular, they’re beautiful, they’re wonderful. He hires the best group of artists - not only actors, but everyone around: best photographers, best set designers, best production designers, costume designers. A lot of people love his films because they’re bloody, they’re gory, they’re savage. But very few people see that he’s a very political director.

I am defined also by Woody Allen’s films and Martin Scorsese and Jim Jarmusch and Julian Schnabel or Almodóvar, or by Guillermo del Toro, Iñárritu, Cuarón. Even if we haven’t worked with them, we are all defined by their filmography.

So, whenever you hear or see violence, there is violence on both sides of the border, or it's both country's responsibility. When we talk about trafficking with weapons, with human beings or with drugs, we talk about it on both sides of the border.

We need to know the facts, in order to tell the politicians, "Excuse me, I don't want you to use my money on building a wall that is not going to solve any problems. We have to go this direction instead."

There are some actors that are so gifted, that move you in such a way that every time you see their names again, you go and pay another ticket because you want to have that experience again.

As a young actor, I booked a movie in the U.S. I didn't speak any English at the time, so I learned my lines phonetically when I auditioned for it.

When you shoot a film, you have very little time to waste, and I try to go into the character as soon as possible and stay there as much as I can.