A lot of people love Tarantino’s films because they’re spectacular, they’re beautiful, they’re wonderful. He hires the best group of artists - not only actors, but everyone around: best photographers, best set designers, best production designers, costume designers. A lot of people love his films because they’re bloody, they’re gory, they’re savage. But very few people see that he’s a very political director.

One of my dreams is to become sufficiently famous that I can play this charity match that happens every year or two with celebrities at Old Trafford, at the house of Manchester United.

My two brothers and I grew up in the theater, going everywhere with my parents when they performed.

Lincoln' is a powerful film. It's one of those epic films that talk about this very specific issue in history of the United States.

When we talk about corruption, there's corruption on both sides of the border. That's what I think is interesting. I'm from Mexico, so when I see a Mexican portrayed in the American market on TV or films, you better do it right because you won't fool me. I'm sure no one really cares on this side of the border, if they get it right or not, but all the way from Mexico, to another 120 countries where the show goes, they will be able to tell the difference.

When you shoot a film, you have very little time to waste, and I try to go into the character as soon as possible and stay there as much as I can.

We need to know the facts, in order to tell the politicians, "Excuse me, I don't want you to use my money on building a wall that is not going to solve any problems. We have to go this direction instead."