I like Jesus, I mean, I think he was a good guy.

With any actor, if you know your character well enough, you'll know pretty much what he would say under any circumstance, or whatever situation might rear its head.

I'm really happy I went to a Catholic school because a lot of the repressive tactics they use make for great senses of humor.

What's politically correct a lot of times is not funny.

On a movie, you have a great time, and you're really enjoying the work, and then everybody is done and goes their separate ways, and you maybe never get to work with those people again.

The thing with movies is, because you have so little time, I always feel like there are more things we could've done with the character. If we'd done a sequel to 'The Thomas Crown Affair,' what would that have been like? But for the most part, you try not to think of that, because it's just going to break your heart.

I wanted to get more serialized. I had this idea for an event that would click onto everybody's mortality. I said, "I want somebody to die." Fortunately for me, when I was toying with that idea, John Landgraf, who's the head of FX but also a very smart executive, came up with the idea of the ashes in the maracas. He called me up and said, "Listen, what about this, they get the ashes in a box and when they get them, they shake them and they sound like maracas." And I was like, "Okay, now I've got my throughline."