When I clicked into this idea of doing a band and examining a band as a dysfunctional family, I wanted to reverse that Rescue Me formula.

I fell asleep during 'Year One' twice. And my son, who never falls asleep during a Jack Black movie, also nodded off. That's how bad it was. I was incredibly disappointed.

Doing the same character over and over, it gets boring.

I tried eating vegetarian. I felt like a wimp going into a restaurant. "What do you want to eat sir? Broccoli?" Broccoli's a side dish, folks. Always was, always will be, OK! When they ask me what I want, I say: What do you think I want? This is America. I want a bowl of raw red meat right now.

I'm praying for 'Ice Age' 4, 5, 6, 7, 8, 9 and 10. Because I really think we can run those characters into the '60s, and I'm talking the 1960s, you know? The Civil Rights Movement. That's what I'm praying for, because then I wouldn't have to do anything else.

I try and shoot as often as I can, I cross shoot. I have at least two cameras rolling at the same time. So I'll have two actors or two sets of actors at a time so everybody's basically on camera. So when they improvise we have everybody's coverage. And you can then go in the editing room and find the energy still stays there.

We've always talked about doing something else and Campbell Scott is always busy and I'm always busy. But when we came up with the idea of doing the potato famine as a hip hop musical, I wanted somebody who was going to bring gravity.