I learned a long time ago, if you want to keep your friends in show business, don't get famous. Because as soon as you get famous, a lot of the people you used to know, who didn't, become incredibly bitter and jealous. It's part of the territory.

I wanted a more female point of view.

We live in a country where John Lennon takes eight bullets, Yoko Ono is walking right beside him and not one hits her. Explain that to me!

I like to give the actors freedom to take what we have on the page and improve on it. And they do that quite a bit.

I'm no prophet and I'm no genius, but I can only tell you what I seem to know. As a fan of television and the movies, I think it's all for the better.

I'm praying for 'Ice Age' 4, 5, 6, 7, 8, 9 and 10. Because I really think we can run those characters into the '60s, and I'm talking the 1960s, you know? The Civil Rights Movement. That's what I'm praying for, because then I wouldn't have to do anything else.

I wanted to get more serialized. I had this idea for an event that would click onto everybody's mortality. I said, "I want somebody to die." Fortunately for me, when I was toying with that idea, John Landgraf, who's the head of FX but also a very smart executive, came up with the idea of the ashes in the maracas. He called me up and said, "Listen, what about this, they get the ashes in a box and when they get them, they shake them and they sound like maracas." And I was like, "Okay, now I've got my throughline."