I can't remember coming across a more precise evocation of innocence lost since Golding's The Lord of the Flies. With The Death of Sweet Mister, Daniel Woodrell has written his masterpiece-spare, dark, and incandescently beautiful. It broke my heart.

Don't get me wrong, I love literary fiction. It's faux literary fiction I can't stand.

I held her, he wanted to say, and if I knew for certain that all it would take to hold her again would be to die, then I couldn't raise the gun to my head fast enough.

It had occurred to Sean once - on a bender about ten years before with some buddies, Sean and a bloodstream full of bourbon turning philosophical - that maybe they HAD gotten in that car. All three of them. And what they now thought of as their life was just a dream state. That all three of them were, in reality, still eleven-year-old boys trapped in some cellar, imagining what they'd become if they ever escaped and grew up.

Happiness doesn't lie in conspicuous consumption and the relentless amassing of useless crap. Happiness lies in the person sitting beside you and your ability to talk to them. Happiness is clear-headed human interaction and empathy. Happiness is home. And home is not a house-home is a mythological conceit. It is a state of mind. A place of communion and unconditional love. It is where, when you cross its threshold, you finally feel at peace.

A pretty face had been damaged by acne scars and she wore and extra forty pounds on her frame like a threat. Her eyes were dull with anger disguised as apathy. If she kept on her current path, she'd grow into the type of person who fed her kids Doritos for breakfast and purchased angry bumper stickers with lots of exclamation points. But right now, she was just another in a long line of pissed-off small-town girls with a shitty outlook.

It's good not only to realize that you can't please all of the people all of the time, but that you don't want to. There's a certain type of reader that you don't ever want to write for.