Hate put me in prison. Love's gonna bust me out.

In fact, someone was telling me that Gladiator was the one film where Ridley Scott didn't take a producer's credit. And it won. But this guy changed the industry twice; with Aliens which was a whole new way of looking at things and Blade Runner that was also a whole new way of looking at things.

When you trust the director you want to trust his or her choices. I don't want to say, 'No, I don't like this girl or that guy," when the director really loves them. No, you want to go with what the director likes.

In the movie I realized, I had the luxury of getting to see how the other person feels.

When you look in one direction where Troy's chair was, you could see out through the yard across the street, there was an old cork bar advertisement for five cents. We wanted it to feel like this was real life [in Fences] and that it extended blocks and blocks.

As the filmmaker, yes, I have to look out for everybody. But I don't have to know everybody's approach.

For whatever reason, God has blessed me with the ability, put me in a position to make these leaps and bounds. I'm fulfilling my part of the bargain, which is to give back and be a positive influence on others.