Solo concerts are murder, I find; I don't like doing them.

I think the blues is fine for blues players, but free blues has never made much sense to me.

I wouldn't want to be ideological about it but I think of it as being the best way to approach this kind of playing. I don't think it works in other music, other kinds of playing.

I'm not much into current electronic stuff, what I think of as lounge electronics, mumbling electronics.

For me, Company is still the best way for me to work.

But that methodology where players are pitted against other unfamiliar players has been so widely adapted now that anybody plays with everybody.

Nowadays, I really like playing in studios.