I have always been attracted to the cottage industry side of this business.

In fact its quite gratifying for me to see some of the people who really objected to this method of working now being quite so profligate in their use of it.

Solo concerts are murder, I find; I don't like doing them.

I think the blues is fine for blues players, but free blues has never made much sense to me.

Even if it is difficult playing with other people - sometimes it's great, sometimes it isn't, but that is kind of the point of it. It loses its point playing solo.

Younger players in this music often turn out to be middle aged; it is not a young music.

Nowadays, I really like playing in studios.