I think it's pretty obvious that women's stories are not necessarily being told in Hollywood and women are not necessarily being put in the leadership positions they deserve in mainstream film.

Above the stage was a glass-floored second stage, which allowed customers to look up and watch another girl dancing overhead. This multidimensional display of poontang reminded me of the 3-D chessboard on Star Trek, which in turn reminded me that I was a huge nerd.

I've been so lucky - I worked with Jason Reitman twice, who has always been a really strong advocate for my voice, and has always really respected the scripts that I've brought him and is just the coolest.

Fact: The new '90210' is cooler than the old '90210.' It's the lithe, streamlined Skipper to the elder series' venerable Barbie. Gone are the traditional parents - they've been replaced by a hipster mom n' pop who get busted necking in the car.

The fact is, when I wrote 'Juno' - and I think this is part of its charm and appeal - I didn't know how to write a movie. And I also had no idea it was going to get made!

I don't know if I have some kind of defiance disorder or something, but if I'm hired to write something by "The Man," or by a studio, for whatever reason, it's really hard for me to finish. I inevitably wind up using that time to write something else.

There's this double standard that exists and it really frustrates me. If a woman chooses to work, people say, "Oh it's so sad that you're not at home with your children." But no one ever says that to a man because it's assumed that the man is going to be the provider.