I think when you're writing prose there's a lot of attendant description and that's were I used to really go bananas. With a screenplay that all gets filled in by the director, so it just sort of pulls you back by virtue of the form. You also have to use more economy as a screenwriter and so it's kind of limiting in a good way.

I always say when you write a book, you're a 'one-man band.' Whereas, when you finish a screenplay, it's just a sketch.

I myself identify as a recovering Blockhead. You'd be surprised how many twenty- and thirty-something hipster chicks have the NKOTB skeleton in their closet, albeit artfully concealed by stacks of Ksubi skinny jeans and ironic Judas Priest T-shirts.

I don't think coolness used to be such a commodity among adults. And now it is.

I think it's pretty obvious that women's stories are not necessarily being told in Hollywood and women are not necessarily being put in the leadership positions they deserve in mainstream film.

Juno MacGuff: I was out handling things way beyond my maturity level.

I've come to find more satisfaction and enjoyment in writing screenplays over the years because that's what I do primarily now.