I think when you're writing prose there's a lot of attendant description and that's were I used to really go bananas. With a screenplay that all gets filled in by the director, so it just sort of pulls you back by virtue of the form. You also have to use more economy as a screenwriter and so it's kind of limiting in a good way.

Honestly, this will never happen because she's so much classier than me, but I would love to work with Sofia Coppola.

For me, stripping was an unusual kind of escape. I had nothing to escape but privilege, but I claimed asylum anyway. At twenty-four, it was my last chance to reject something and become nothing. I wanted to terrify myself. Mission accomplished.

Juno MacGuff: I don't know what kind of girl I am.

There's this double standard that exists and it really frustrates me. If a woman chooses to work, people say, "Oh it's so sad that you're not at home with your children." But no one ever says that to a man because it's assumed that the man is going to be the provider.

Juno MacGuff: Wise move. I know this girl who had a huge crazy freakout because she took too many behavioral meds at once. She took off all her clothes and jumped into the fountain at Ridgedale Mall and she was like, "Blaaaaah! I'm a kraken from the sea!" Su-Chin: That was you.

I just go about my life. I'm a mom, I drive an SUV, I go to the grocery store every day. I'm definitely not a celebrity. I always say that I'm a celebrity-adjacent.