It's always seemed to me that photography tends to deal with facts whereas film tends to deal with fiction.

You see someone on the street, and essentially what you notice about them is the flaw.

One of the risks of appearing in public is the likelihood of being photographed.

What I'm trying to describe is that it's impossible to get out of your skin into somebody else's.... That somebody else's tragedy is not the same as your own.

It gets to seem as if way back in the Garden of Eden after the fall, Adam and Eve had begged the Lord to forgive them and He, in his boundless exasperation, had said, "All right, then. Stay. Stay in the Garden. Get civilized. Procreate. Muck it up." And they did.

Everybody has that thing where they need to look one way but they come out looking another way and that's what people observe. You see someone on the street and essentially what you notice about them is the flaw. It's just extraordinary that we should have been given these peculiarities. Something is ironic in the world and it has to do with the fact that what you intend never comes out like you intend it.

When you're growing up your mother says, "Wear rubbers or you'll catch cold." When you become an adult you discover that you have the right not to wear rubbers and to see if you catch cold or not. It's something like that.