What moves me about...what's called technique...is that it comes from some mysterious deep place. I mean it can have something to do with the paper and the developer and all that stuff, but it comes mostly from some very deep choices somebody has made that take a long time and keep haunting them.

...I would never choose a subject for what it means to me. I choose a subject and then what I feel about it, what it means, begins to unfold.

Everybody has that thing where they need to look one way but they come out looking another way and that's what people observe. You see someone on the street and essentially what you notice about them is the flaw. It's just extraordinary that we should have been given these peculiarities. Something is ironic in the world and it has to do with the fact that what you intend never comes out like you intend it.

Love involves a peculiar unfathomable combination of understanding and misunderstanding.

Most people go through life dreading they'll have a traumatic experience. Freaks were born with their trauma. They've already passed their test in life. They're aristocrats.

I always thought of photography as a naughty thing to do - that was one of my favorite things about it, and when I first did it, I felt very perverse.

These are characters in a fairy tale for grown-ups. Wouldn't it be lovely? Yes.