...I would never choose a subject for what it means to me. I choose a subject and then what I feel about it, what it means, begins to unfold.

The world is full of fictional characters looking for their stories

... I must begin at whatever pace is possible, to work on the book of my own that i vaguely keep assuming lies at the end of the rainbow. It is after all my rainbow and if I don't do it no one else will...Survival is the secret so you really can't afford to doubt yourself for long because you are all you've got. The only thing to do is to go the limit with it. Exceed.

The condition of photographing is maybe the condition of being on the brink of conversion to anything.

Photography was a license to go wherever I wanted and to do what I wanted to do.

One thing that struck me early is that you don’t put into a photograph what’s going to come out. Or, vice versa, what comes out is not what you put in.

What moves me about...what's called technique...is that it comes from some mysterious deep place. I mean it can have something to do with the paper and the developer and all that stuff, but it comes mostly from some very deep choices somebody has made that take a long time and keep haunting them.