I never have taken a picture I've intended. They're always better or worse.

You see someone on the street, and essentially what you notice about them is the flaw.

Everybody has that thing where they need to look one way but they come out looking another way and that's what people observe.

I always thought of photography as a naughty thing to do - that was one of my favorite things about it, and when I first did it, I felt very perverse.

It would be beautiful to photograph the winners of everything from Nobel to booby prize, clutching trophy, or money or certificate, solemn or smiling or tear stained or bloody, on the precarious pinnacle of the human landscape.

Most people go through life dreading they'll have a traumatic experience.

There's a kind of power thing about the camera. I mean everyone knows you've got some edge. You're carrying some magic which does something to them. It fixes them in a way.