You know you don't really need the band or the singer/songwriter in the same way, so you look at everything as part of your palette.

You know, in the sentence of humanity this place needs to be a parentheses. And when I say parentheses I mean I'm talking like you go around it. Leave it alone. Let it exist. And what I want people to see with this film is not only a respect for this place from the bottom of my heart.

It's strange to think that culture is simply a matter of millions of files flying around, but we now think in terms of networks for everything.

My work is all about creating new paths for thinking about the possibilities inherent in all art; another world is possible!

So he [Sigmund Freud] called this "the uncanny" and he also referred to cities as well, like the idea of walking through the city and the way the urban landscape could lead you to a sense of disorientation and to a kind of, you know, sense of repetition. And the way a city can unfold as you walk.

I think that the audience intuitively understands the idea of sampling and remixing stories. That's why electronic music is global.

I'd say most of my work is just trying to make sense of the disorienting and overloaded world that we inhabit. We're bombarded with sound at every level.