It's strange to think that culture is simply a matter of millions of files flying around, but we now think in terms of networks for everything.

The world is a very, very, very big record. We just have to learn how to play it.

Antarctic symphony has a geometric relationship to the landscape. It's saying that this landscape and the minimal kind of, you know I'm talking like seeing ice, is visually kind of eerily minimal.

Randomness has an incredibly powerful place in our culture. If you think about it, you can see it driving the algorithms that run our information economy, patterns that make up the traffic of our cities, and on over to the way the stars and galaxies formed.

Whales, for example, also navigate with sound, but they're now beginning to be beached because the ocean is getting too noisy. Weird things like that. I mean this is very real. Like, if you look at the satellites in the sky at night you know it's an eerie sense of we're.

We live in a world so utterly infused with digitality that it makes even the slightest action ripple across the collection of data bases we call the web.

I have to deal with some dumb folks. It's a real drag.