If you don't understand the past, the future won't make much sense either.

Antarctic symphony has a geometric relationship to the landscape. It's saying that this landscape and the minimal kind of, you know I'm talking like seeing ice, is visually kind of eerily minimal.

My work is all about creating new paths for thinking about the possibilities inherent in all art; another world is possible!

I like the idea of it as a trickster motif. You know like you're kind of just messing around with people's memories of songs.

I think that electronic music mirrors the complexity of "information landscapes." You carry the terrain in your mind.

Music, art, and literature are inseparable for me. How does "composition" evolve in a music and art context? It's a question we can never answer: it only asks for more information and generates more questions.

In my book "Sound Unbound" we traced the guy who actually came up with the main concept for the graphic design of the record cover sleeve. His name is Alex Steinweiss. And one of the things in my book that we really tried to figure out was the revolution in graphic design that occurred when people put images on album covers.