I couldn't get used to the community and social life of a theatrical set designer.

I haven't even ever wanted to distort. I isolate and represent.

Only thanks to Pop Art, my painting has become understandable.

For many years it was difficult for me to paint because I didn't feel the informal painting that was then tyrannically dominating painters and art collectors.

I am metaphysical inasmuch as I am looking for a non-eloquent painting, immobile and of atmosphere, which feeds on static situations.

If an artist has the possibility to contact an infinitely larger public through the pages of a publication, he should try to invest more rather than less and go as far in his effort to communicate his inner image as he can.

I don't want to think that I am going to believe that I am a hell of a genius, or anything like that.