I haven't even ever wanted to distort. I isolate and represent.

All I know is that mine was a completely new theory about art, a new approach that made the pictures appear just like life does.

Life can be considered as a huge wardrobe, with so many dominos hung in its cupboards, one domino per year. Now I don't see why I couldn't change my mask in this wardrobe even twice a day.

I couldn't get used to the community and social life of a theatrical set designer.

I am metaphysical inasmuch as I am looking for a non-eloquent painting, immobile and of atmosphere, which feeds on static situations.

I always use given and simple elements, I don't want to add or subtract anything.

The performance on the stage has its reasons in the performance induced in thousands of separate minds and this second performance is no less prodigious than the first.