I'm always in awe of directors because they're just holding so much stuff in the air. They've got so many decisions that they need to be making and they have to have the complete overall look of what the piece of artwork is.

There are probably only a certain number of people who can understand or tolerate how long a job will take and what demands it puts on you. And why should they? It breeds a strange kind of selfishness immersing yourself in a character for so long.

I suppose theres an anger in all of us. Some hidden rage that you keep at bay.

The drummer is definitely the hidden hero of a band they really hold the music together. It's actually a really difficult job, and as I said before they're very much hidden, they're not the celebrity, they're not the front man so they get the best of both worlds really

There's this exhausting energy from you getting your lines out and your words right, especially if it's a complicated scene. And as soon as the camera is off you and goes on the other person, you're talking garbled garbage and you feel so sorry for them because you've lost the will to live, after 18 hours of saying those lines. That's terribly unfair. So, I do love the quick-paced nature of it.

You must believe in your own instincts and your own instincts at any particular time and believe that they were the right ones for any given situation. So, there's no point ever of kind of regretting something because you can't properly remember the exact circumstances in which you were playing out this particular scene. You have to believe in your intuition and your instinct at that moment.

I would like to do any way possible that Howard Stark can make a return. He's such a fun character to play, and I really believe that he could make quite an exciting character to watch more of. The flawed entrepreneur, the kind of crazy playboy, from that era is an exciting concept.